14. 2M - 2M - 2m - 2M - 2M - 2m - 1A - 2m. The bebop Lydian scale can be used on dominant chords with a #11, such as the dominant chords of a tritone substitution. In general, bebop scales consist of traditional scales with an added passing tone placed such that when the scale is begun on a chord tone and on the downbeat, all other chord tones will also fall on downbeats, with the remaining tones in the scale occurring on the upbeat (given that the scale is played ascending or descending; i.e., no intervallic skips are played). Using the Phrygian Dominant Bebop Scale. This scale is often used over major sixth chords and major seventh chords. Why you marked them as belonging to the same group? The note that is added to the G Mixolydian scale is the 7 (F#). The Phrygian Dominant Bebop scale is a very common scale choice on the VI7 chord. All it took w… Root Note. Here are the 2 most common fingerings for the Db bebop Lydian dominant scale: Unfortunately you point of view leads to losing the main goal of jazz phrasing – controlling the tension over the harmony. (Dominant) Bebop Scale = Mixolydian Scale + 7. Major Bebop . It contains all of the notes of both the harmonic minor scale and the natural minor scale (Aeolian mode) of the same root. Try working these licks in 12 keys around the fretboard, at various tempos, as well as apply them to any tune you are working as you bring these phrases into your jazz guitar vocabulary. You don’t have to play the entire scale as well, it’s ok to use fragments of the scale in your solos. Using the 4th note same way as 4rd or 7th leads to treating bebop scale in wrong way. Needless to say, you can play the bebop scale in any position you want. When first working on this scale in your studies, try putting on a static m7 chord vamp and soloing over that chord with the minor bebop scale. However, many players and resources adhere to the traditional spelling of the scale. As mentioned earlier it has the same notes as the first minor bebop scale but it can be used effectively in it’s own right. Bebop Dorian has a flattened third note, and the interval is 1, 2, 3b, 4, 5, 6, 7b, 7. These artists include Charlie Christian, Charlie Parker, Lester Young, and Dizzy Gillespie, to name a few."[1]. Why? The minor bebop scale works best descending, though with practice you can apply it to your lines both ascending and descending through the scale. The bebop major scale is derived from the Ionian mode (major scale) and has a chromatic passing tone between the 5th and 6th notes. To help you take the major bebop scale from the technical side of your woodshedding to the improvisational side, here are 5 major bebop scale licks that you can learn in 12 keys, and add to your maj7 soloing ideas and phrases in the practice room. what is the scale formula for the flat9 bebop scale? You are viewing fret-board display with high E or 1st string on top. In addition, there are two other variations of the bebop scale: Bebop Dominant and Bebop Dorian. It has all the notes of both the ascending form of the melodic minor scale and the harmonic minor scale of the same root. Though not as commonly used as its minor and dominant cousins, the major bebop scale can be used to add a bebop sound to your major family soloing lines and phrases. Notice that the harmonization of bebop scales provided by Barry Harris showed important harmonic function of each note belonging to the bebop scale and let us divide notes for two groups: Let’s have a look at the C major bebop scale: C,D,E,F,G,G#,A,B,C 1) 1st group (let’s say “tonic”) forms C6 chord (C,E,G,A) 2) 2nd group (let’s say “dominant”) forms 4 equivalent diminished chords: D,F,G#,B. (see above. This scale is often used over dominant seventh chords and all extended dominant chords,[2] and over II-V chord progressions. The major bebop scale works best descending, though with practice you can apply it to your lines both ascending and descending through the scale. Here is how the bebop scale is usually applied: If I play the G Mixolydian scale descending, starting on a downbeat, you will notice that the chord tones of G7 fall on the upbeats (except for the first one): Here I play the G bebop scale descending, starting on a downbeat. The following examples spell out bebop scales starting on the 9 for different chord types.The circ-led note indicates where the initial bebop scale begins. These scales are listed in David N. Baker's books on bebop. The bebop harmonic minor scale (or bebop natural minor scale, as listed in Mark Levine's The Drop 2 Book) is derived from the harmonic minor scale and has a chromatic passing tone (an additional ♭7) between the 6th and the 7th notes. The bebop scale is a Mixolydian Scale with a descending chromatic note between the root and the b7. The G bebop scale, for example, can be played over a Bm7b5 chord, making it a great tool to play over minor ii V I progressions. It is a mode of the bebop major scale: for instance, the C bebop harmonic minor scale has the same pitches as the E♭ bebop major scale. These artists include Charlie Christian, Charlie Parker, Lester Young, and Dizzy Gillespie, to name a few." The formula for the Phrygian Bebop scale is 1 b9 3 11 5 b13 b7 7 and is played like this: (the added ‘bebop’ notes are shown by a hollow dot). Steps: W W H W W H H H. C. 4 photos . There are five types of frequently used bebop scales: Each of these scales has an extra chromatic passing tone. This is an effective way to make long phrases while outlining the harmony. From there, try soloing over tunes such as So What, Milestones, and Maiden Voyage in order to take this scale to a full tune in your solos. When you start the bebop scale on a downbeat and on a chord tone, all the following chord tones of the scale will fall on downbeats and the other notes of the scale on upbeats. Is the implication here that I can I play the G bebop scale over that whole progression – I’m assuming it was Dm7-G7-Cmaj7 – if so, why…or, how do I figure out which bebop scale to play over other keys) On half-diminished chords: the bebop scale can also be played over half-diminished chords. After logging in you can close it and return to this page. The minor bebop scale is a Dorian Scale with a descending chromatic note between the root and the b7. The bebop Dorian scale (also known as the bebop minor scale[3][4]) is derived from the Dorian mode and has a chromatic passing tone between the minor 3rd and the perfect 4th. To do this, take any major scale fingering you already know, add the b6 passing tone to those scales, and voila, you’ve created new major bebop scale fingerings to use in your soloing ideas and phrases. i really need your help here guys. It involves some slides to reposition your fingers. (Why can the G bebop scale be played over Dm7? Here is the formula for the minor bebop scale and a comparison with the Dorian mode: This minor bebop scale is directly related to the Dorian Scale, and therefore you can use it to solo over any m7 chord in a jazz standard, including Im7 chords and iim7 chords. This scale is often used over minor sixth chords. Because of this, you can use the major bebop scale to solo over any maj7 chord in your jazz guitar solos. Perfect 5th. The G Bebop Scale, for example, can be played over Dm7, giving us a great tool to play over ii V I progressions. The blue notes are the chromatic passing tones that are so characteristic for the bebop scale.

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