Neumann's first serious incursion into the world of the 'digital microphone', the Solution-D project, resulted in the D-01: a large-diaphragm, variable-pattern mic. It comes in one of two coloured versions: a classic nickel or a black Nextel finish. The specifications certainly suggest that the goal has been met: the KM184D has the same self-noise as the conventional KM184, because it uses the same capsule, but a significantly higher maximum SPL (144dB versus 138dB). The signal is converted directly at the capsule. For usual applications, the LC 4 cable is available with a length of 5 or 10 meters (ca. Re: Why does Liam Gallagher's vocals sound shit? However, unlike their namesakes, the digital models are, in fact, modular, with removable capsules similar to those found on the KM100 series. The KM-D body can be combined with any of three interchangeable capsules to form the KM183D omni, KM184D cardioid and KM185D supercardioid mics. The new KM-D range has been launched with three models which closely resemble the original analogue KM180 series, both physically and in their model numbering. The Remote Control Software (32 Bit, available also as VST plug-in) for the digital Neumann microphones is compatible with Windows 98SE – Windows 10 and Mac OS 8.6 – Mac OS X 10.14.6. Digital Microphone Interface with Ravenna, Digital Microphone Interface with EtherSound, according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS, Sensitivity at 1 kHz, 0 dB gain, and 94 db SPL, Maximum SPL with 18 dB preatt. Compared to its predecessor, the Series KM 100, the new system KM A/D works with passive capsules, which are considerably smaller while retaining the proven acoustic design. (for California residents only): This product can expose you to chemicals including lead, which is known to the State of California to cause cancer and birth defects and other reproductive harm. For more information go to: www.p65warnings.ca.gov. Why does Liam Gallagher's vocals sound shit? An all-digital state-of-the-art microphone that really does exceed the capabilities of its analogue siblings. A reference class small diaphragm microphone with a consistent cardioid pattern, independent of frequency. There are also several rather unusual features: for example, there are three built-in test signals that can be generated internally to help prove circuit connections and set levels, and the blue LED on the mic's body can be switched on and off remotely to serve as a signalling light! The KM-D series mics can be operated at any standard sampling frequency between 44.1 and 192 kHz, but straight out of the box, they are configured with a preset default sample rate and operating characteristics. The digital output stage KM D is compliant to the AES 42 standard and opens entirely new possibilities, unattainable in the analog domain. Prosound, 09/2008 Download PDF. The mics were placed alongside each other and the digital outputs from the DMI2 and the ADC1 were passed to a Yamaha DM1000 console. 94 dB SPL), Signal-to-noise ratio, CCIR (re. In typical usage, there is no coloration of sound over a wide pickup angle. A computer can be hooked up to the system via a supplied RS485-to-USB adaptor plug. The sound of our 1950s tube classics recreated with trouble free FET circuitry, State-of-the-art small diaphragm condenser microphone, Small size – big sound: Neumann’s most affordable large diaphragm microphone. The Neumann system KM A/D is a modular microphone system for even the most demanding applications. AudioPro International, 05/2008 Precise cardioid directionality with excellent rejection of rearward sound. There is a surprising range of parameters and functions available in the KM-D mic, starting with the ability to alter its sensitivity via settings for pre-attenuation (up to 18dB in 6dB steps) and gain (up to 63dB in 1dB steps). Ability to optimise signal levels at the capsule. What is a "hybrid" audio interface anyway? The A-D converter uses a very clever technique to provide genuine 28-bit resolution for the capsule's signal, although this is subsequently scaled internally to optimise the headroom and noise performance within a standard 24-bit output. Remote control of the mic's parameters is via one of two RJ45 sockets on the back of the unit. The simple interfaces have no digital synchronisation features. The KM 184 has a very low self-noise of only 13 dB-A and can handle high sound pressure levels of up to 138 dB free from distortion. I have to be honest and say that, even when switching directly between the two signals, I struggled to tell which mic was which, regardless of the source I chose (whether speech, vocals, acoustic guitar, or 'cello)! (RCS) (re. Converting the capsule's analogue output to a digital form within the mic body ensures that the delicate signal is protected and secured at the earliest possible stage. Neumann’s patented A/D-converter technology ensures a very high dynamic range of up to 122 dB-A across the entire digital production chain. After that, the products will be available as long as stock lasts. The KM-D series use the same capsules as the 183 and 184, the only difference is that the A/D is straight after the capsule on the KM-D. The combination of the capsule KK 184 with the output stage KM D is only one of the numerous options within the Neumann KM A/D small diaphragm microphone system. Further capsules are anticipated. Sound & Recording, 06/2009 This interface has sockets on the rear panel for two AES42 inputs from the mics, each with a corresponding AES3 output. Neumann have already suggested that four more capsules will be added to the range later this year, along with various extension tubes and other accessories, so the KM-D series will eventually become as versatile as the current KM100 analogue … Download PDF, Digital microphones in use at NDR Television, English Powerful compact bi-amplified studio monitor with superb impulse response and resolution. The sonic characteristics were exactly the same — the presence peak, the well-controlled polar pattern, the smooth bass roll-off, the transient detail and the transparency. One of the key differences is that AES42 carries a unique form of phantom powering, in which the 10V supply is modulated with various control and synchronisation signals. There are two versions available: one version converts the mic's AES42 output signal into standard AES3, while the other provides S/PDIF. Also available are the KM183D (diffuse-field equalized pressure transducer with a free-field treble boost) and KM185D (hypercardioid) and all are available in either black or nickel finish. The integrated DSP permits remote control of microphone parameters, such as digital gain, preattenuation (6, 12, 18 dB) and low cut (0, 40, 80, 160).
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