recording drums with one mic

Great! Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. The tom-toms sound best when using a dynamic mic. You want to pick up the whole drum-kit somewhat evenly. http://www.youtube.com/watch?v=Kxcufuj-OCE, https://www.gearslutz.com/board/6861471-post31.html, Betty Boop 1933 Cab Calloway "The Old Man Of the Mountain" - YouTube, Already have an account? The AEA N8 Ribbon is a modern type ribbon mic that reproduces the classic Ribbon mic sound in recordings. The Drums. So with a 4-channel setup, this is the next mic I recommend adding. Click here to login, The ability to reply to and create new discussions, Access to members-only giveaways & competitions, Interact with VIP industry experts in our guest Q&As, Access to members-only sub forum discussions, Get INSTANT ACCESS to the world's best private pro audio, Promote your eBay auctions and Reverb.com listings for free. One mic. A tight sounding, well-tuned heads placed well in a good sounding room will go a long way towards a great recording. If any one thing sounds particularly bad, you can’t just go in and fix it in isolation. Try all of those mics or just pick one blindly. First off, good to see more Minneapolis representation here. And I'd say the mic was almost certainly a ribbon. definitely LDC, just put them both up and a/b to find out which one compliments the kit. There's really no one right answer for this. Mic placement with only one microphone is obviously crucial. It's likely to sound better and be more reflective of what the player intends to deliver. However, I am a 16 year old student, with limited money, so I want to keep it on the cheap!!! I kind of assumed it was due to the amount of channels available on your setup. I'm going to be recording a drum kit with a single mic this weekend and I'm looking for suggestions on what mic I should use and where I should place it. The AT4050 is a great all around mic and would do a great job. Obviously you'll have to listen, move the mic, listen, move the mic, listen, move the mic, listen, move the mic, listen, & move the mic until it's right. The Mic Placement. It’s often best to record anything with as few mics as POSSIBLE. My only thought on placement is that I want the mic low enough that the kick has some guts, not just the click/whack you get from an overhead. This cannot be answered without knowing the room, drum kit, or your personal goals for the drum sound. Basically: Find a space/position for kit to where the kick and snare sound about the same level, then put your mic where your ears were at that point in the room where that happened. I'm not so sure about "definitely LDC" MC 930 would be worth a shot...sometimes a 58 in a room position sounds damn great. Alongside the kick drum… The other “most-important-element” of the kit is obviously the snare. My main concern with placement is finding a spot with good tonal balance, so that I won't have to use much EQ down the line. I'm actually sampling the kit one piece at a time, so I'm not that concerned about the relative levels of the drums/cymbals. May I ask why you can only use one mic? My LDC mic choices are an AT4050, an AT4047 and an NT2-A. Ive had good luck putting a mic kinda behind or underneath the hihat, around kick beater height. Placing the kit properly in a variety of space sizes and types can make the one mic method totally acceptable. Recording Drums With One Mic. I'm going to be recording a drum kit with a single mic this weekend and I'm looking for suggestions on what mic I should use and where I should place it. Take ideally a large-diaphragm condenser mic (but any mic you have at hand will do!) I can't speak to your other LDC options. You need an account to post a reply. you don't have to close off one ear....just move around the kit/room until you LOVE what you hear - put the mic there!.....deaden the kit to taste and make sure your drummer plays with good balance!....you'll be fine! Thanks in advance for any insight. If you use one mic, place it between the two drums about 4 to 6 inches away from the heads (Figure 3 shows this placement option). Thread starter dazzlestar; Start date Jan 22, 2011; D. dazzlestar Member. Snare Mics. The Best Mics for Recording Bass Guitar and Kick Drums; Up next… 3. Since you're setting up one mic just. There's really no one right answer for this. It's a great learning experience if you have the time. This uses one microphone in the kick drum and one condensor overhead mic. If you use two mics, place one above each drum about 1 to 3 inches above the head. And for snare drums, there’s ONE mic that is … if it can be made to sound right with one mic that’s great. and set it up as an overhead microphone, pointing straight down at the kick drum beater. Recording drums with one mic requires a good sounding kit, and a good drummer. Create a username and password below and an account will be created and your post entered. I'll bring a couple of the other mics so that I have options, but the 4050 out front sounds like it'll make for a good starting place. Since you're setting up one mic just move it around the room and try different spots. Microphone Placement – how to mic a drum kit with 2 mics. My LDC mic choices are an AT4050, an AT4047 and an NT2-A. The Kick and Overhead method for Recording Drums with 2 Mics. Jae opts for another timeless Shure dynamic microphone for the snare. For this guide, we’ll cover two different microphone setups. When you buy products through links across our site, we may earn an affiliate commission. My SDC choices are an MC930, a modded MK-012 and an SM81. The key to recording a drum kit with one microphone is this: experiment, experiment, experiment. If that's not the case, don't even try one mic. They run over 1000 dollars so it kind of does away with the Budget but I included it because it was something new. LDC is a good bet, but a ribbon could also work well. I would consider placement as low into the kit and as close to what the drummer hears as possible. For the mounted toms (the ones above the kick drum), you can use one or two mics. The first mic configuration we’ll look at is the ‘Kick and Overhead’ setup. Jan 22, 2011 #1 Hi, I really want to delve into the world of drum recording, most likely in the form of YouTube covers and such! 1 Overhead Mic Recording Set-Up using a Condenser Mic. Recording Drums With One Mic. Advertisement The three best locations for this rather important piece are as a room mike, a drummer’s perspective mike, and a front-of-kit mike. The problem is that you can’t go in and fix the snare drum sound, or the kick, or individual toms. Thanks, everybody. Any one of these microphone placements would work for a one-mike drum recording setup. Tune the drums. Hey there! No matter what mic you choose, when electronic options are limited, use the space available to your extreme advantage! If there’s not enough bass drum in the balance then that would be a good reason to add a bass drum mic, for example. More ‘components’ to fiddle with in the mix doesn’t make things better. If I only had on mic to use I would grab a LDC for sure. I’ll probably make a couple of adjustments…I’m trying to still get the smack, but I’m also trying [to place the mic so that] it rejects sound from back here,” Jae remarks as he motions to the area in the null spot of the SM57’s pickup pattern.

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