You can buy a cheaper microphone for sure, especially if you are just getting started, but you will notice the difference when you hear this bad boy. The Rode is at the good end of what I think of as the “budget” mic market. All-in-all, a great mic for a very reasonable price. 2020 © Copyright The Voice Finder.com. Don’t be in any doubt, the AT4047 is a professional grade voiceover microphone, and that’s why you’ll pay a bit more for this one over some of the others in the list. It’s wider and shorter than the Rode and weighs-in at just under 500g. I’m using the opportunity to look at the similarities and differences between a couple of different products from different manufacturers with a view to considering how to choose a mic, not which of the two comes-out on top. Finally, I put both mics in front of a guitar cab. The NT1-A and the Mk4 are slightly different beasts. If you want a mic to do lots of different jobs, then pick one that avoids extreme “sound sculpting”. … It’s a versatile microphone, as it has inputs for XLR and, more importantly with this particular mic, USB. Add at least two items to compare. LDCs are probably the most common vocal microphones in studio use, are popular for guitar cabs - giving a more “complete” sound than most dynamics and can be pretty good on just about anything else you can think-of - so long as you put the mic in the right place. 4-5 min. How to choose a microphone - featuring the Rode NT1-A and Sennheiser Mk4 LDC Microphones. This article was originally published in issue #22, To read the article in its entirety, view the digital magazine, Our website uses Cookies - by using this site or closing this message you’re agreeing to our Terms & Conditions, Cookie Policy and Privacy Policy. An Australian made professional studio condenser microphone designed to deliver clear and … read ... not familiar with double bass for classical. No items to compare. First up is this little number from Blue Microphones. It is more compact and portable, and it also has better build quality. And with the MK4, they're bringing their condenser to the project studio. It is also a quiet and clean-sounding mic, which is always important – you only want to record your sultry serenades after all. Generally I like the sound of dynamic mics for this application, but in this case the Rode sounded fantastic from about 6” off the grill and a little off centre. read ... not familiar with double bass for classical. It needs a driver to run through USB, but that software gives you lots of control over stuff like the volume levels and the buffer settings. Rode NT2a Questions . Say you record drums from a software kit, DI your bass and guitar, and the only thing you need to record live is vocals. Next-up I used both mics to record myself singing. Sennheiser is best known for their dynamic microphones, but that doesn't mean they don't make great condensers! i also noticed the sennheiser mk4 has a moderately similar response to the nt2a … As a added bonus, the Rode K2 will fit the shock mount as well! It has switchable patterns, so you know it will be versatile, and should be able to handle your voice no matter your style. Now, what you are buying here is not a Neumann, and the price reflects that, but the MK4’s diaphragm capsule was designed by the same team behind the industry-pinnacle U87, so you can be sure as shucks it’s going to be a good one. The Rode NT2-A is the successor of the extremely popular NT2. The only downside we can find to this mic? The Yeti Pro is not a bad mic at all for what it is, but doesn’t stack up to some of the others on this list when it comes to audio quality. On this occasion I preferred the Sennheiser for its subjectively clearer sound, though a dab of EQ in the lower mids restored clarity to the Rode sound. Whilst the actual specs vary a little, both mics are quiet (I’ve got to mention that the specs for the Rode are very, very quiet by the way), will work with high sound pressure levels, are amply sensitive, and have superficially similar frequency response curve shapes (the Rode has an additional little bump at about 120Hz) . Sennheiser’s Mk4 microphone comes with a flexible stand mount (a shock-mount is available separately) and a soft cover. While the first three are in the same price range (around $300) and therefore can be considered direct competitors, the Rode NTG3 was a higher-end unit priced at around $700. You cannot choose a “character” mic for a specific source from a forum or a review, you can however get a pretty good idea about general-use mics. The Rode NT1 is one of the best condenser microphones in this price bracket. It has a wide dynamic range, with a hi-pass filter to crush the low-end if needs be, and a 10db pad for when you’re just too blinking loud. I like the view of Rode NT2-A, simply love it:) The only disadvantage may be the sound of extremely high women's voice on records via Rode NT2-A… This is THE tool of your trade. A little tidbit for you when considering this microphone – Sennheiser also own Neumann (spoiler alert, see #1). I must admit that I loved the Sennheiser the moment I opened the box, it has a wonderfully classy look and heft to it. That it’s not the next mic in the list. Anyway, eventually we got them plugged in and made some test recordings. The Gold standard. Right there! Subjectively, the specs bear out for both mics and nothing that I threw at them bothered either in the slightest. The results here were noticeably different - the Rode has a slight boost just above the 100Hz mark and in this case it brought-out a slight muddiness in my voice. The only thing people seem to be able to find wrong with it is the price, but as the old adage goes, “ You get what you pay for”. I’m really not a singer at all and the process is quite painful - the results more so. This is the perfect microphone for first time voiceover artists and developing artists alike, thanks to it’s fantastic blend of good quality audio and low price.

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