The Festival’s mission is to present programs of the highest artistic caliber while maintaining a dedication to young artists, a commitment to all forms of the performing arts, a passion for contemporary innovation, and an enthusiasm for providing unusual performance opportunities for established artists. [5] Eventually, in May 1991, Menotti issued an ultimatum that either Redden and his supporters resign or Menotti would. Click below for a comprehensive program history of the Festival’s performances. [7] In 1990 and 1991, the festival had raised about 44% of its budget (about $2.4 million) from private donations, but in 1992, the festival raised only $1.2 million from such donations, about 33% of its $3.6 million budget that year. [11], In July 1995, Redden was recruited to return to the festival on an interim basis to help it overcome a debt of more than $1,000,000. The orchestra works with the Resident Conductor and Director of Orchestral Activities, John Kennedy, as well as with guest conductors in opera, symphonic, choral, chamber, and contemporary music performances. Spoleto Festival USA in Charleston, South Carolina, is one of America's major performing arts festivals. Performing arts festival in Charleston, South Carolina, The 2013 festival opened on May 24, 2013, with a ceremony at Charleston's City Hall, The Festival's mission and programming philosophy, "World-Renowned Artists to Gather in Charleston", "Menotti affirms decision to quit as Spoletto director", "Hopes hang on fragile Spoleto cease-fire", "Redden quits as head of Spoleto Festival", "Debt-ridden Spoleto looking for a new chief executive", "Board: Spoleto will survive without Menotti", "Milton Rhodes: Spoleto Fest bids chief adieu", "Spoleto Festival USA tries to cover expenses", "Old general manager returning to Spoleto", "Piccolo Spoleto Will Encompass More Activities", "Piccolo wraps up festival with variety of act", "Piccolo Finales moves to different location", Charleston Convention and Visitors Bureau website, Festival dei Due Mondi, Spoleto, Italy, website, The Unicorn, the Gorgon, and the Manticore, https://en.wikipedia.org/w/index.php?title=Spoleto_Festival_USA&oldid=975246272, Tourist attractions in Charleston, South Carolina, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License, This page was last edited on 27 August 2020, at 15:50. “Spoleto Festival USA put Charleston on the map” — The Post and Courier. History of Spoleto Spoleto (Latin Spoletium) is an ancient city in the Italian province of Perugia in east central Umbria on a foothill of the Apennines. Menotti, who had served as the artistic director for the festival since its founding, claimed in 1991 that he was not interested in renewing his three-year contract when it ended in 1992 over artistic differences. [14] Upon his return in 1996, Redden was again successful in turning the finances of the festival around, quickly raising $1.6 million and cutting debt in half.[15]. Check out our Festival Quicklinks for the most popular pages or search for something specific. In August 1991, Redden resigned,[6] as did 19 of the 46 board members the next month. On September 27, 1976, Theodore "Ted" Stern, the president of the College of Charleston at that time, was named as the new chairman of the Charleston Coordinating Committee after the departure of Hugh Lane. The festival experienced financial problems from its outset which produced a quick turnover in leadership. For 17 days and nights beginning the Friday of Memorial Day weekend, Spoleto fills Charleston with renowned artists and emerging performers in disciplines including opera, theater, dance, and a wide range of music—from symphonic and chamber to choral, jazz, and folk. [19] Except for 2001 (when they were held on Daniel Island),[20] the closing ceremonies have been held at Hampton Park since 1984 when the event coincided with the reopening of the refurbished park.[21]. The tumult affected the scope of the festival the following year; the budget for 1992's festival was $4.6 million, down about $1 million from 1991, and covering about 20 percent fewer presentations (103 in 1992 compared with over 120 in 1991). [13] During his first tenure with the festival, Redden had been successful in repairing the festival's flagging finances and left the festival having gone from a $500,000 deficit to a surplus of $1.4 million. Since its inception, the Festival has presented over 200 international and U.S. premieres, notably Creve Coeur by Tennessee Williams and The American Clock by Arthur Miller. Personality disputes also arose involving Menotti. The Festival dei Due Mondi (Festival of the Two Worlds) was founded in 1958. One of the Festival's tenets is to provide young artists the opportunity to work with veteran directors, designers and performers. The Spoleto Festival Orchestra traces its origins to the highly successful Italian opera composer Gian Carlo Menotti (b. Cadegliano, Italy, July 7, 1911). Piccolo Spoleto is "the perfect complement to the international scope of its parent festival and its 700 events in 17 days transform Charleston into an exhilarating celebration of performing, literary and visual arts. It is also fairly close to Rome, with good rail connections. Most significantly, Menotti had a poor relationship with the festival's general manager, Nigel Redden, who challenged programming decisions, expense accounts for Menotti, and administrative decisions by Menotti. [12] The 1995 festival went over budget by 20%, and its full-time staff was cut in half. On September 27, 1976, Theodore "Ted" Stern, the president of the College of Charleston at that time, was named as the new chairman of the Charleston Coordinating Committee after the departure of Hugh Lane. The Festival also produces its own operas, specializing in rarely performed masterpieces by well-known composers, American premieres, and traditional works presented in new ways. Other premieres have included Monkey: Journey to the West by Chen Shi-Zheng, Damon Albarn, and Jamie Hewlett; Peter and Wendy by Lee Breuer; The American Clock by Arthur Miller; The Mechanical Organ by the Nikolais Dance Theatre; Miracolo d’Amore by Martha Clarke; Empty Places by Laurie Anderson; Hydrogen Jukebox by Philip Glass and Allen Ginsberg; Praise House by Urban Bush Women; Three Tales by Steve Reich and Beryl Korot; and Tenebrae by Osvaldo Golijov, The official companion festival to Spoleto Festival USA, is operated by the City of Charleston Office of Cultural Affairs. The historic city provided a perfect fit: it was intimate enough that the Festival would captivate the entire city, yet cosmopolitan enough to provide an enthusiastic audience and robust infrastructure. It is an important cultural event, held annually in late June-early July. Together with the city and community leaders, Spoleto has spearheaded the renovations of numerous performance spaces: Festival Hall (formerly Memminger Auditorium), Dock Street Theatre, College of Charleston Sottile Theatre, and the Charleston Gaillard Center. The festival experienced financial problems from its outset which produced a quick turnover in leadership. Menotti, who had threatened the end the festival in Charleston left the festival in 1993; the local board, however, owned the rights to the name of the festival and pledged to continue it without Menotti. Spoleto History: Festival of Spoleto: Spoleto map: The Festival dei Due Mondi (Festival of the Two Worlds) was founded in 1958. Mayor Riley supported Menotti so strongly that he threatened to withdraw city support for the festival if Menotti were pushed out. [16] After two years of mini-festivals, Piccolo Spoleto was created as an official part of the overall Spoleto program in 1979. In its 45 year history, the Festival has produced and/or presented more than 20 opera, dance, and theater world premieres including Tennessee Williams’s Creve Coeur (1978); Arthur Miller’s The American Clock (1980); Laurie Anderson’s Empty Places (1989); Urban Bush Women’s Praise House (1990); Philip Glass’s Hydrogen Jukebox (1990); Lee Breuer’s Lulu Noire (1997); Huang Ruo’s Paradise Interrupted (2015); Carrie Mae Weems’s Grace Notes: Reflections for Now (2016); Ayodele Casel’s While I Have the Floor (2017). [10] Still, the financial difficulties continued, and the 1995 festival lost an additional $900,000.
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